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chorus

HIMNO NACIONAL DE VENEZUELA. National Anthem of Venezuela

carbric76

2:18	Est. Play Time
51	Measures
	1,523Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagotes	24	22	7	5	94%
Contrabajo	16	0	4	6	92%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagotes	24	22	7	5	94%
Contrabajo	16	0	4	6	92%
Violonchelo	17	0	4	6	92%
Viola	12	3	0	5	88%
Violín I	18	0	2	5	88%
Violín II	21	6	4	5	88%
Oboes	15	12	2	5	86%
Trompa en Fa	16	24	3	5	82%
Clarinete en La	16	16	3	6	81%
Flautas	11	5	2	5	72%
Trombón I-II	11	7	2	5	65%
Trompeta en Sib	13	9	2	5	64%
Trombón III	15	0	2	5	45%
Flautín	8	0	0	4	41%
Timbales	2	0	0	4	39%

Messiah| No.09: O Thou That Tellest Good Tidings to Zion

Pete Alan

1:59	Est. Play Time
51	Measures
	1,929Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	23	0	4	5	98%
	23	0	4	5	98%
Violoncellos	19	0	4	5	98%
Cembalo	25	53	7	5	95%
	22	60	3	5	95%
Fagott	18	0	4	5	84%
Oboe	11	0	1	6	65%
Soprano	11	0	1	6	65%
Bass	14	0	2	5	59%
Tenor	9	0	1	6	59%
Alto	10	0	2	6	57%
Alto Soloist	8	0	1	4	14%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

N° 35, Hail Great Parent, The Fairy Queen, Henry Purcell

FranckM.

1:45	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	50	4	6	100%
	24	19	3	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	50	4	6	100%
	24	19	3	6	100%
Basse	13	0	2	5	84%
Soprano	8	0	1	6	79%
Ténor	9	0	1	7	79%
Alto	10	0	1	7	77%

Les Choristes Medley

satolivi

4:01	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	0	6	7	87%
	20	0	7	5	69%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	19	6	7	87%
	20	7	5	69%
Viola	18	3	6	66%
Violoncello	18	2	7	66%
Contrabass	22	4	5	65%

Dido and Æneas, No.35: Chorus - Great minds against themselves conspire

Voorburgs Operakoor

0:52	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	34	4	6	100%
	22	14	3	4	100%
A	9	0	1	5	76%
S	11	0	3	6	76%
T	8	0	1	5	76%
B	12	0	1	7	71%
Dido	6	0	0	5	24%

Messiah| No.17: Glory to God

Pete Alan

2:20	Est. Play Time
57	Measures
	1,512Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
Basses	16	0	1	8	91%
Cellos	15	0	1	8	91%
Tenor	11	0	0	8	65%
Alto	7	0	0	8	54%
Soprano	8	0	0	8	49%
Bass	11	0	0	8	47%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
Soprano	12	0	3	5	92%
Tenor	10	0	1	6	92%
Continuo	23	36	5	4	70%
	21	39	4	4	72%
Fagott, Bassoon	16	0	2	3	68%
Violins, Viola	13	0	1	3	68%
Violins, Violin I	13	0	3	5	68%
Violins, Violin II	13	0	2	3	68%
Violoncellos, Cello	16	0	2	3	68%
Oboe, Oboe	10	0	2	4	59%

Adieu, mein kleiner Gardeoffizier

Voorburgs Operakoor

10:37	Est. Play Time
279	Measures
	2,654Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	49	6	7	100%
	21	17	4	3	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	49	6	7	100%
	21	17	4	3	99%
S	13	0	2	6	95%
A	12	0	2	6	94%
B	11	0	1	6	94%
T	12	0	2	6	94%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » - BASSE

Papibois

1:06	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
Basse	9	0	4	3	64%
Tenor 1	9	0	2	3	64%
Tenor 2	9	0	2	3	64%
Soprano 1	8	0	1	2	60%
Soprano 2	7	0	1	2	60%
Dulcamara	12	0	4	4	57%
Adina	7	0	1	3	43%
Belcore	6	0	1	3	14%

Il Trovatore, Coro di Zingari e Canzone

Voorburgs Operakoor

2:32	Est. Play Time
89	Measures
	1,164Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	28	10	4	8	96%
	23	18	5	6	96%
B	12	0	2	8	63%
T	14	0	3	8	62%
A	11	0	1	8	28%
S	13	0	2	8	28%
g	2	0	0	1	26%

Verdi, Rigoletto: Act 2 - Scorrendo uniti

Mélisande

2:23	Est. Play Time
67	Measures
	4,135Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violon	20	20	3	5	97%
	30	26	8	8	100%
Violoncelle	21	3	4	8	100%
Alto	18	25	4	4	97%
Contrebasse	14	0	2	4	97%
Basson	22	26	6	7	94%
Hautbois	20	22	6	7	93%
Basses	18	2	4	7	86%
Borsa	19	0	5	8	85%
Ceprano	17	0	3	7	85%
Marullo	16	0	4	7	85%
Ténors	20	21	6	8	85%
Flûte	18	0	4	8	82%
Duc	6	0	1	4	18%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 11/16 Acte 2 : Coro « Bravo Dulcamara » -SOPRANO 1

Papibois

1:06	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	23	5	6	88%
	22	21	4	6	88%
Basse	9	0	4	3	64%
Tenor 1	9	0	2	3	64%
Tenor 2	9	0	2	3	64%
Soprano 1	8	0	1	2	60%
Soprano 2	7	0	1	2	60%
Dulcamara	12	0	4	4	57%
Adina	7	0	1	3	43%
Belcore	6	0	1	3	14%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
Violins	24	0	5	8	91%
	24	0	5	7	91%
Fagott	22	0	4	7	91%
Cembalo	23	49	6	7	87%
	26	72	5	7	84%
Tenor	15	0	4	5	82%
Oboe	15	0	4	6	74%
Soprano	15	0	4	6	74%
Alto	12	0	2	6	69%
Bass	15	0	3	6	65%

Messiah| No.12: For Unto Us A Child Is Born

Pete Alan

3:18	Est. Play Time
99	Measures
	4,950Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	19	0	3	6	100%
Violoncellos	19	0	3	6	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	19	0	3	6	100%
Violoncellos	19	0	3	6	100%
Cembalo	26	113	4	6	92%
	25	68	3	6	96%
Violins	14	0	2	6	77%
	19	0	3	7	81%
	19	0	3	7	81%
Oboe	13	0	2	8	72%
	16	0	2	8	72%
Alto	12	0	2	7	66%
Soprano	13	0	2	7	66%
Tenor	12	0	2	7	61%
Bass	16	0	3	6	58%